Tag Archives: Wheatpaste

NTG x Occupy Seattle

2 Nov

No Touching Ground has consistently been at the forefront of not just the Seattle urban art movement, but of art in the Northwest in general. From his flying birdmen that have become synonymous with Seattle street art to his recent tribute to the late John T. Williams, to his incredible work in Brooklyn with Overunder, NTG is easily one of the most creative and technically gifted artists hitting the streets. His most recent work is as relevant as ever, featuring Occupy Seattle protesters in gritty detail. Furthermore the placement of the works, just blocks from where the Occupy protesters previously were located, gives the sense that neighborhood is still being occupied.

While I’m now located down in Southern California, I have taken part in the Occupy Los Angeles movement, located just blocks from the Arts District, and the differences between the messages put across by the protesters and those of LA artists like Free Humanity and other artists that took part in the LA vs War project, are few and far between. Credit goes to City Arts magazine for snapping these incredible photos and to No Touching Ground and the Occupy protesters for keeping the good fight going.

EDIT: Today only one of these was still up (the first one pictured).

rollers & get up

9 Sep

old crow / five / aura / cbs / roar
^ old crow / five / aura / cbs / roar – oakland, ca

get up
^ get up – sf, ca

Black Satanic Mysticism

3 Aug

Tnglr

Tnglr

Starring Artists

30 Jun

Starhead Boy

Blue Baby

Gay Dentist

29 Jun

Starhead Boy Narboo

Jupiter Approach

27 Jun

Tnglr Narboo

Narboo

Starhead Boy

Sparing The Horses

15 Jun

Crazy wall featuring an incredible piece by the world famous Roa (featured in “Art In The Streets”), as well as classic pieces by West Coast stalwarts Pinkeye and Gats. The wall is located in San Francisco’s Mission District, one of the dopest neighborhoods in the country when it comes to urban art.

Mission District 15

Art “In The Streets”

9 May

Over the weekend, I finally made it into LA for the worlds first ever major “street art” exhibition at the Museum of Contemporary Art. A multitude of differing opinions have already been posted on numerous blogs, forums, and news sites, so I’m not going to bore you with a comprehensive rundown of the positives and negatives of the show, and how it has been presented.

“Art In The Streets” is an accomplishment of epic proportions. Gathering hundreds of the world’s most talented artists is an immense feat on its own, but to do it in an aesthetically pleasing way, and to give a fairly comprehensive history of the subculture is nothing less than amazing. From the original Basquiat’s and Haring’s to the “evolution of wildstyle” sketches from Zephyr, I was consistently blown away by the amount of history the exhibition contained. Art In The Streets x Risk 2

I expected to love the parts of the exhibit inhabited by my favorite artists like Os Gemeos, every member of AWR/MSK/TSL, and Neckface, but the rest of the exhibitions amazed me as well. From the Lee Quinones mural (with the help of Cern One, Futura 2000, Risk, Sano, and Loomit), to seeing Northwest favorites like Myth VTS on miniature freight cars, to the ever-controversial Banksy who’s section of the exhibition was supremely fascinating, although not at all conducive to street art, the exhibit is through and through the most impressive museum exhibition I have ever seen.

Furthermore, the upstairs section of the museum, dedicated to the history of graffiti on both coasts, strikes a good balance between more general history of graffiti, and more in depth events (like the rise of cholo graffiti in Los Angeles) in order to appeal to casual museum goers and graff-heads alike.

Throughout my time at the museum, I was consistently amazed by each individual artist’s work and the way it was organized, but the truth of the matter is only a museum show. As well as all of the works functioned within the museum; those same artists work on the streets is entirely different. Banksy’s entire exhibit is extremely impressive in its totality, but the majority would seem irrelevant and out of place on the street.

After leaving MoCa, I walked around the Arts District for the last time before I head back to the Northwest for the summer, and remembered why I became interested in graffiti and street art in the first place. Each individual artist/crew has 100% creative control over what/where/when/how their art is placed on the street. In comparison, “Art In The Streets” seemed a little bit stuffy, and a little bit too refined. For example, The Seventh Letter section of “Art In The Streets” cannot compare to the incredible productions done by the same exact crew on the streets surrounding the museum.

“Art In The Streets” is an incredible success in terms of a contemporary art exhibition, and every participating artist should be applauded, but to call it the first ever “street art” show is both deceiving and inappropriate.

Hot Like Sauce

21 Apr

Arts District 33

Arts District 36

Arts District 34

Total Fascination

19 Apr

Arts District 31

Arts District 30

Arts District 32

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